since 2017
European
photography
platform
Welcome to the European photography platform here you can explore a network of photographers, members of the platform and read more about us.
Artist Projects
Ust-Kut, Siberia. Spring 2003. I'm 10 years old.
A phone rings and we learn that a day earlier several men were killed on a suburban highway as a result of a fire opened on two cars. One of the victims was the leader of a local organised crime group nicknamed the King.
Same evening I started looking for my own private sniper.
***
At that time, in Russia it was virtually impossible to conduct business without protection of and from criminals, and in our small Siberian city, the King was krysha of many private entrepreneurs, including my stepfather. With his death, the authority lost its corporeality, and the law got reduced to a symbol referring to its own structural lack, to the error within the system and to the absence of a protective mechanism. Everything about the surrounding —the quiet conversations of the adults behind the half-open doors, the anxious look captured on their faces, and the streets that seemed to be emptied at once—let my fear out, which was spreading out in space like a sticky foul-smelling substance.
I used to be a regular guest at the King’s place, I remember the old-fashioned stove in the corner and the big icons on the walls, I would easily recognise the arch where his brother had disappeared in the dark, I could still hear his mother's frantic crying and I had never seen such high tombstones. Fear was nagging at me, crawling under my skin. At home, I would meticulously research the best shooting location from where it would have been possible to attack me, and as a consequence search for the hideout. I was preparing, I thought that what had happened would leave its mark on me, or perhaps it already did, and I just couldn't figure it out. One crime inevitably leads to another, and I felt like a witness, who had to be gotten rid of. What did I see and what did I know?
recent stories
Events
futures activities
FUTURES is a European Photography Platform that brings together the global photography community to support and nurture the professional development of emerging artists worldwide.
FUTURES curates exhibitions and programs, including talks, through our extensive network of top European curators and artists.
The FUTURES Residency Program provides selected emerging photographers with the time, space, and resources to develop new work, with a strong focus on the artistic process and research.
FUTURES annual publications feature in-depth articles, interviews and conversations with key players from the global community. Released alongside the annual exhibition, the publication showcases work by FUTURES artists alongside commissioned essays on some of the most compelling issues in contemporary photography.