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Artist Projects





Every time I think of my homeland (Belarus), I am reminded of how wonderfully resourceful and creative the people are. Probably those qualities were inherited - together with tolerance - from the Soviet period. As I was born in 1986, I was a citizen of the Soviet Union for part of my early childhood and I still remember my passport with the hammer and sickle on it and the empty racks in the stores.
This series is based on once predominant DIY culture in the country of my origin that developed in the time of my childhood. As I stage my photographs today, I refer to my memories and nostalgic feelings for the things that I have seen and heard in the past, events that I have participated in.
I am talking about creativity, craftsmanship, diligence and typical recycling that were natural to the people living in conditions of constant shortages. It was a time when one had either to find a way to “snatch” what was needed or to make it out of the accessible materials.
Although today this lifestyle is more often seen in domestic decorations, I am trying to revive in my photographs what once was a vital necessity.
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FUTURES is a European Photography Platform that brings together the global photography community to support and nurture the professional development of emerging artists worldwide.

FUTURES curates exhibitions and programs, including talks, through our extensive network of top European curators and artists.

The FUTURES Residency Program provides selected emerging photographers with the time, space, and resources to develop new work, with a strong focus on the artistic process and research.

FUTURES annual publications feature in-depth articles, interviews and conversations with key players from the global community. Released alongside the annual exhibition, the publication showcases work by FUTURES artists alongside commissioned essays on some of the most compelling issues in contemporary photography.














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