Moving Towards Representation — an interview with Julius Thissen

Prophetic Futures by Tim Rod

The Fragile Act Of Coming Home

EXPOSED Torino Foto Festival - Beneath the Surface

Between Seed and Tree: Hiền Hoàng in Conversation with Taco Hidde Bakker

In All Their Vulnerability

Branding the future of photography

Clémence Elman: I use photography to build narratives in which I question the medium itself and the position of the photographer

Maximilian Mann: The climate crisis is a big problem for my generation and photography can be a way to draw attention to it

George Stamenov: An image could mean a thousand words, a film shot consists of infinite meanings

Mar Sáez: I enjoy discovering new realities and telling stories through photography

Ela Polkowska: My work has been dominated by topics connected with the human body

Sina Niemeyer: I am obsessed with intimate imagery, exploring the body and hands

Bernardita Morello: I'm interested in the preconceived idea of happiness and how insatiably we look for it

Hanna Jarzabek: When I photograph, it helps me to cope with situations I deeply disagree about

A Derailing Beauty, On Léonard Pongo’s Primordial Earth Series

David Arribas: I look for what is close to me and I project it into an idea and that idea in an essay

Michael Swann: My work is mostly inspired by themes of mysticism, faith and phenomenology

Shia Conlon: I am usually thinking about the different power structures that have affected me growing up

Ana Zibelnik: Photography serves me as a research tool, even more than as an expressive one

Vassilis Triantis: I draw ideas from everything I see around me

Masha Svyatogor: I create multi-layered narratives through photography

Meet the new members: Copenhagen Photo Festival

Andrii Dostliev: I’m looking for inspiration in browsing through archives and in stories people tell me

Alin Barbir: The process of all my personal work always starts with an emotion

Arne Piepke: I want to visualise my experiences and provide an opportunity for deeper exploration

Brave Boy Studio: We are inspired by stories taken from the world

Marta Bogdanska: I would call myself both a photographer and a visual artist; my approach to photography is hybrid

Jon Gorospe: The way photographs are produced, shared and read are in the core of every project I do

Marco Schiavone: My practice always changes, or rather, it evolves

Dorottya Vékony: Autonomy over our body and community practices occupy my thoughts and artistic practice

András Ladocsi: I use photography to create a closer link with people and myself

Ire Lenes: Photography is the key that opens new worlds and connects me with new people and their stories

Camillo Pasquarelli: By looking at recent projects, I deal very much with social and cultural issues

Vera Ryklova: My practice is about the concept of the self and its social construction

Ruth Montiel Arias: I use photography as another tool in the militancy to which I am attached

Balázs Máté: I’m primarily focused on the relationship between the spectator and the spectacle

Camilla Ferrari: My inspiration comes from the observation of the rhythm of everyday life

Giovanna Petrocchi: my research revolves around archaeology, fictional narratives and primordial nature

Istvan Bielik: As a photographer, I consider my duty to show the lives of minorities and to point out injustice in the world

Garry Loughlin: "My interests lie in the use of power, and the control of narratives and territories"

Marina Caneve: "I find inspiration in things that I don’t understand"

The Assembly #11: Sandrine Colard in conversation with Léonard Pongo

The Assembly #10: Resetting photography: Can photography be a tool of changes?

The Assembly #9: Resetting The Cow: Artists reflecting on mankind tailoring nature to its own needs

The Assembly #8: RESET your mindset and adapt in the world of photography

The Assembly #7: Resistances in solidarity: Talk with Pía Ogea, Sandra Maunac and Nicolás Combarro

Meet the curator of the digital exhibition RESET: Salvatore Vitale

The Assembly #6: Survival Artists! How artists are dealing with Coronavirus

The Assembly #5 - On Protest and Activism: a talk with Tanya Kapitonova, Rafal Milach and Yulia Krivich

The Assembly #4 - Decolonization, representation and power in the contemporary cultural scenario

The Assembly #3 - Reset Modernity: talk with Sylvain Gouraud

The Assembly #2 - On Adaptation and Production (with Lewis Bush and Aisling Murray)

The Assembly #1 - Watch the launch of the exhibition RESET

Becks Butler: "Photography is a tool to approach and reveal the ephemeral nature of humanity"

Daniel Szalai: "When used consciously, photography allows questioning the status quo in a guerilla style"

Mark McGuinness: "Photography has been used in relation to landscape and place since its inception"

Futures talent Máté Bartha launches music video in collaboration with his brother

Publishing art: a selection of photobooks by the Futures talents of 2019

Giaime Meloni: "When I take a photo, I’m taking a sample from the reality"

Ann Vincent: "I search for ways to use artificial materials to create the illusion of something natural"

Dorje de Burgh: "My relationship to photography is centred around time and memory"

Iacopo Pasqui: "I didn't choose photography; it came to me"

Christian Lagata: "I am interested in the image and its imbrication with other media"

Erola Arcalís: "My practice combines academic research with chance encounters"

Tereza Červeňová: “The idea of a blank canvas petrifies me"

Katarzyna Wąsowska: “I use photography to investigate and tell the stories at the same time”

Vincent Levrat: “I play with photographs and with perception, often trying to fool or at least to question the viewer"

Introducing: Dávid Bíró

Alexander Kadow: "There are different types of photography and each one has its own context"

Adél Koleszár: "My main inspiration comes from observing human behaviors and cultures"

Bertrand Cavalier: "I see photography as a medium of curiosity"

Javier Corso: “10 years ago, I understood that the camera could be my round-trip ticket"

Irene Fenara: "What interests me is to investigate the act of vision in its complexity"

Francesca Catastini: "Imagination is one of the key words to talk about my relationship with photography"

Elena Aya Bundurakis: "I just love images and their power of activating all of our senses"

Ulla Deventer: “Becoming a documentary photographer never felt like an actual option for me”

Maria Babikova: "What photography gives me in a way is a sense of freedom"

Jeroen De Wandel: "For me, photography is a free jazz"

Domenico Camarda: "I have always been fascinated by the concept of identity"

Lionel Jusseret: "In cinema, the unpredictable is an important ingredient, but in photography, it’s the raw material"

Maroussia & Valerio: "The author of the image is not just the one behind the lens"

ING Unseen Talent Award 2019: Meet Kevin Osepa

Meet the coach of the ING Unseen Talent Award 2019: Adam Broomberg

ING Unseen Talent Award 2019: Meet Karolina Wojtas

ING Unseen Talent Award 2019: Meet Ulla Deventer

ING Unseen Talent Award 2019: Meet Elena Aya Bundurakis

ING Unseen Talent Award 2019: Meet Irene Fenara

Futures Talent Máté Bartha Wins the Louis Roederer Discovery Award in Arles

Introducing: Vassilis Pantelidis

Introducing: Yana Wernicke

Introducing: Vittorio Mortarotti

Introducing: Valeria Cherchi

Introducing: Sanna Lehto

Introducing: Kateryna Snizhko

Introducing: Alessia Rollo

Face to Face with Jamin Keogh

Face to Face with Ángel Luis González