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The

Artist

Benedetta Casagrande

Lives and Works in
Milan, Italy
Benedetta Casagrande is an artist, writer and educator working with photography. Starting from a theoretical approach in the field of ecology and critical studies, she developed a biocentric practice that uses photography to investigate interspecies relationships and more-than-human life in times of extinctions. Benedetta is the winner of the Luigi Ghirri Prize (2024), of FE+SK Book Award (2024), and received the honorable mention from the jury of the Francesco Fabbri Prize for Contemporary Arts (2024). She is the commissioned artist for Photo Città della Pieve 2025. Her first photobook, All things laid dormant (Skinnerboox, 2024) was shortlisted for the Arles Authors Book Award and Singapore International Photography Festival Book Award, and received the special mention of the Marco Bastianelli Book Award (2025). Her work has been exhibited in national and international exhibitions, including Triennale Milano (Milan, 2025), Italian Institute of Culture Stockholm (2025), L'Imagerie Centre d'Arte (Lainnon, 2025), Prague Photo Festival (2025), Ph Museum Days (Bologna, 2024), Fotografia Europea, Palazzo dei Musei (Reggio Emilia, 2024), Photo Brussels Festival (2024), ADI Design Museum (Milano, 2023), INSTANCE (Shanghai, 2021) and Photo Ireland Festival (2019). Her writing has been published on digital and print publications such as American Suburb X, inCf Magazine, The Light Observer, Ardesia Projects and Over Journal, and she has written essays for photobooks and catalogues amongst which Lay Her Down Upon Her Back (Róisín White, 2023), How To Raise a Hand (Angelo Vignali, 2022), ITALIA 90 (2021) and Diachronicles (CameraWork, Giulia Parlato, 2020).
Projects
2024

All things laid dormant

All things laid dormant questions our relationship to more-than-human life in times of extinction. Relying on the ambiguous qualities of the photographic medium that simultaneously hinders and facilitates interactions with the lived environment, Casagrande invites the viewers into a world suspended between presence and absence, proximity and distance, life and death, carving a space for ecological grief within a world in ruins. The body of work brings together photographs, texts and sculptures that speak not only of the loss of our fellow earth-roamers, but also of photography’s own role in environmental ruination, particularly through the mining of silver for the analogue photographic industry. Reclaiming silver from used darkroom fixer and using it to coat handmade sculptures, Casagrande’s ceramic creatures emerge from the spoils of photographic waste.
Benedetta Casagrande
was nominated by
CAMERA Centro Italiano per la Fotografia
in
2025
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

The five artists selected for FUTURES are Claudia Amatruda (Foggia, 1995), Matteo Buonomo (Milan, 1991), Benedetta Casagrande (Milan, 1993), Alessio Pellicoro (Taranto, 1994) and Martina Zanin (San Daniele del Friuli, 1994). This selection consolidates the nature of this program as an observatory of the medium, developing a broad perspective of its practices today in the Italian context and examining the ways in which the digital and new aesthetics are changing its fruition. It includes refined operations that present both research with a return to its function as a document, as well as experiments that question the medium's ideas of form, truth, and identity. The aim is to show how photography is a medium in perpetual transformation and expansion, which brings together experiences of a documentary nature on social and cultural themes, and others that emphasize formal and conceptual research.

Amatruda reflects on the transformations of his own body due to a rare degenerative disease. Looking at Donna Haraway's theories on the union between cyborgs and humans, she transforms her body into a theatre of reception for external elements, highlighting possible contaminations and metamorphoses through self-portraiture.

Bonomo's work focuses on long-term projects focusing on the social context trying to read the dynamics of loneliness and sharing that run through contemporary society. His photographic stories are enriched by textual and investigative insights.

Casagrande uses the medium of photography to be in relationship with the surrounding environment and its elements. She analyses ecological coexistence with the non-human living world and explores the ways in which we relate to them: intraspecific coexistence and the possibility of constructing new forms of kinship and intimacy between species in a context of unprecedented loss of variety of living organisms.

The elements that characterize Pellicoro's research are the ambiguous relationship with reality, the role of immobility and movement, the post photographic inclination and the testimonial approach. A result that, on the one hand, is due to the subjects filmed; on the other, to the interest in representing unconscious drives or autobiographical issues.

Zanin's research is intertwined with his personal experiences and draws on references from literature and psychoanalysis to interrogate the notions of absence, memory, aggression, repetition, patriarchy, and heritage. She invites the viewer to reflect on the ambiguity of power dynamics, focusing on the fine line between protection and control and turning her attention to vulnerable positions.

List of curators 

Giangavino Pazzola – Curator of contemporary and research programs at CAMERA

Walter Guadagnini – Director at CAMERA

Nominators

Arianna Catania | Director of Gibellina Photoroad / Open Air & Site-specific Festival

Matteo Balduzzi | Curator of MUFOCO – Museum of Contemporary Photography of Milano-Cinisello Balsamo

Marco Delogu | Photographer and President of Azienda Speciale Palaexpo - Rome

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