The
Professional
Emese Mucsi
Lives and Works in
Budapest
Emese Mucsi is a Hungarian-born curator, and art critic. Emese curates exhibitions where photography is interpreted in the context of contemporary art and works with artists who have an expanded idea of photography and produce photo-based works. Her projects bring together artists and photographers with photojournalists, writers, editors, and other thinkers to experiment with new approaches to photography. She graduated from the Faculty of Contemporary Art Theory and Curatorial Studies at the Hungarian University of Fine Arts in 2013, and from the Faculty of Hungarian Literature and Linguistics at the University of Szeged in 2017. She is a member of the curators’ collective BÜRO imaginaire since 2012. Since 2013, she ran projects as a freelance curator. From 2014 to 2018, she was the Editor-in-Chief of Artmagazin Online. Emese is a curator of the Robert Capa Contemporary Photography Center, Budapest since 2018. She is the member of Global Photographies Network since 2020. She founded DOXA exhibition space and editorial den in 2022. She is doing her PhD in the Film, Media, and Contemporary Culture PhD program at Eötvös Loránd University. Emese is a guest lecturer at the Moholy-Nagy University of Art and Design (2023) and the University of Szeged (2024).
Projects
No uploaded projects...
Emese Mucsi
was nominated by
Robert Capa Contemporary Photography Center
in
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
Related artists
More artists that you might
like to explore
All artistslike to explore
Marija Mandić (b. 1990, Novi Sad, Serbia) is an artist whose practice spans photography, text, drawing, and found footage. Her work delves into the themes of identity, memory and the past, often within a familial context, blending personal narratives with broader social issues. In 2023, Mandić was a finalist for the Mangelos Award, part of the Young Visual Artists Awards network. She won the Fotograf Magazine (CZ) open call in 2022 and received the VID Foundation for Photography grant in 2021 for her project White Bee. Her accolades also include the Dositeja scholarship, a grant from the Ministry of Education of the Czech Republic, and the Mali Princ Foundation award. Mandić holds a PhD in Visual Communication from the Faculty of Art and Design in Ústí nad Labem, where she lectured from 2015 to 2019.
Tudor Rhys Etchells uses the photograph to challenge fictions created by legal systems. Working within such a bureaucracy in his previous role as a human rights lawyer inspires his closeness to the document and the brutally mundane. For him, the photographic medium, with its own cumbersome structures of viewing and representing, appears the best match for understanding processes that construct the imagined norms of our society. Embracing photography’s performative element, he deconstructs our conceptions of visual knowledge.
He achieved a Distinction in MA Documentary Photography at the University of South Wales during which he was awarded the Reginald Salisbury grant. Recently he was awarded an Arts Council of Wales Research and Development grant to fund a residency and his first solo exhibition at BayArt, Cardiff.
He is a lecturer at the University of Gloucester and regularly gives visiting lectures at institutions, including Ffotogalley.
He is based in Cardiff and an associate artist of BayArt gallery.
Paweł Starzec (Ph. D) is a documentalist, photographer, sociologist, academic teacher. Mainly interested in long-term projects focusing on envisioning broader processes through their aftermath and consequences. Recipient of the Young Poland 2024 Ministry of Culture scholarship, PixHouse Talent of the Year Scholar award, Artistic Scholarship of the Mayor of Wrocław 2024, winner of Urbanautica Institute Award, Enconctros da Imagem Discovery Award and Spojrzenia Award, received honorable mentions in Allegro Prize, Lodz Fotofestival Grand Prix, and CDS Documentary Essay Prize, finalist of the Polityka Passports Award and Grand Press Photo. His
works are in collections of Encontros Da Imagem (PT) and National Institute of Architecture and Urbanism (PL). As a sociologist, he researches modern iconographies and visual narratives. Vice- Dean of the Faculty of Design at SWPS University and Head of Communication Design speciality at the School of Form USWPS. Creator of workshop programs, co-founder of Azimuth Press art/ education collective. Member of APP platform. Graduate of Applied Sociology Department of University of Warsaw, and of Institute of Creative Photography of Silesian University in Opava (MA). Part time musician and sound artist under various monikers. DIY / zine culture enthusiast.
Florine Thiebaud (b. 1992, France) is a photographer based in Marseille.
With a post-documentary practice that combines photography and writing, she places a significant emphasis on publishing. She explores the notions of imprisonment and isolation, the passage of time, loss of control, identity, and her connection to others.
From 2016 to 2019, she developed two projects focused on the consequences of the waiting for papers for exiled people in Greece, placing the relationship with the other at the heart of her practice.The first was the project Exils, which won the Roger de Conynck Prize and was exhibited at the Recylart Gallery in Brussels, followed by Breaking Point. The latter was co-published as a book in May 2022 with Stockmans Art Books, and was exhibited at FOMU in Antwerp and at the Contretype Gallery in Brussels as part of the .TIFF selection and Propositions d’Artistes.
Developing her reflections on notions of imprisonment and isolation and their consequences, she is currently working on a project about families of incarcerated people, Des Ondes (On Waves), based on a personal story. This project has received support from the Fédération Wallonie-Bruxelles, and part of it was already exhibited in 2023 at the Delta Cultural Center in Namur as part of a group exhibition.
In parallel, following confrontations with her own physical and mental limits facing depression, she developped a new series of self-portraits: Revenir (Coming back). Using once again repetitive imagery and a consistent aesthetic, she explores the intersection of vulnerability, isolation, and transformation through self-portraiture. Photographing herself during moments of crisis and depression, she seeks to capture the disconnect between her inner world and reality.
Andrea Camiolo (Leonforte, 1998) is an Italian photographer and editor, currently a PhD candidate in "Science for Artistic Production and Heritage" at the Academy of Fine Arts in Catania.
In 2022 he was selected as one of the finalists of Paris Photo Carte Blanche, won the Comisso Prize and the Best Portfolio Prize at the Ragusa Foto Festival.
In 2023 he was selected as one of the finalists for the Luigi Ghirri Prize/Young Italian Photography #10, he was a finalist for the Terna Prize and lastly one of the winners of the ‘Italy is a Desire’ call for new works promoted by Direzione Generale Creatività Contemporanea (DGCC) of the Ministry of Culture.
Andrea has exhibited his projects in several group exhibitions at various institutions, including:
MUFOCO Museo di Fotografia Contemporanea; Palazzo Binelli, Carrara; Casa Testori, Milan; MIA Photo Fair, Milan; Fotografia Europea, Reggio Emilia; CAMERA Centro Italiano per la Fotografia, Turin; Palazzo Cosentini, Ragusa; Photo Open Up, Padua; Palazzo Giacomelli, Treviso; Verzasca Foto Festival.
His works have been acquired in the collection of MUFOCO - Museo Fotografia Contemporanea in Cinisello Balsamo and in private collections.
He is co-founder of DORSOPRESS, a small independent publishing house focused in contemporary photography.
João Bragança Gil (Lisbon, 1989) is an artist, based in Lisbon, Portugal. Attended the Painting course at the Faculty of Fine Arts of Lisbon between 2008 and 2010; Graduated in Industrial Design in 2013 from Escola Superior de Artes e Design. In 2014, Bragança Gil moved to London, graduating in MA Industrial Design at Central Saint Martins UAL in 2016. In 2019 Bragança Gil, moved to Lisbon, and started practicing fine arts full-time. Currently he’s pursuing a Media Arts PhD at Faculty of Fine Arts of Lisbon.Recent exhibitions include “Drop me in the river, Dip me in the water!” (2021) at Galeria Pedro Cera; “The sun, the oldest, the sheep, as the origin (on and on) and the klecks klecks” (2021), by Sismógrafo at Casa das Artes, Porto; “CODA” (2022) at Buraco, Lisbon, “Uncertain Strata” at EGEU; “Estudo do Meio”, Carpintarias de S. Lázaro; “Midnight Sun”, Mono. Recidency at Arquipélago — Centro de Artes Contemporâneas, São Miguel, with FetArt (France) and CiCLO (Portugal). In 2023, Bragança Gil presented “Artificial Paradises” (2023) a solo exhibition at the National Museum of Science and Natural History, resulting from more than two years of research.In 2024, participated in the group exhibition “Entre Margens” curated by João Pinharanda and the group show “Passages” at Galeria Encounter; and the solo exhibition “Trouble in Paradise” at (Projectspace) at the Encounter and Jahn und Jahn Gallery, in Lisbon.
Faces%252520of%252520Predictions_003.jpeg)
Sheung Yiu (HK/FI) is a Hong-Kong-born, image-centered artist and researcher, based in Helsinki. His artwork explores the act of seeing through algorithmic image systems and sense-making through networks of images. His research interests concern the increasing complexity of algorithmic image systems in contemporary digital culture. He looks at photography through the lens of new media, scales, and network thinking; He ponders how the posthuman cyborg vision and the technology that produces it transform ways of seeing and knowledge-making. Adopting multi-disciplinary collaboration as a mode of research, his works examine the poetics and politics of algorithmic image systems, such as computer vision, computer graphics, and remote sensing, to understand how to see something where there is nothing, how to digitize light, and how vision becomes predictions. His work takes the form of photography, videos, photo-objects, exhibition installations, and bookmaking.
Carlos Trancoso is a Portuguese visual artist that works and lives in Porto. He uses the photographic gaze as a critical tool to understand how the human being relates to technology. His work aims to challenge established patterns of interaction relating to the creation of images in contemporary society. Although he mainly uses fictional approaches, his work incorporates a documental photography language with the expanded practice of creating cameraless images, mixed media and computer generated images. He is a founding member of Barda collective, which utilizes visual arts to foster social cohesion. He has exhibited at festivals such as Photoalicante, Backlight (2020), Photo Open Up, f/est Amarante (2022), Athens Digital Arts Festival (2023), Bienal da Maia (2021/2023) and Bienal de Fotografia do Porto (2025) . His works have also been exhibited in spaces such as Galeria FFAC, Galeria Dentro and MIRA FORUM in Porto, Casa do Capitão and XYZ Books in Lisbon and El Local in Madrid.
Jéssica Pereira Gaspar is a Portuguese transdisciplinary artist, born in Coimbra in 1996. She began her academic journey in sciences and technologies, which profoundly influenced her methodology, research focus, and creative practice. She earned her Bachelor's degree in Visual Arts from Universidade Lusófona de Lisboa and her Master's degree in Visual Arts from Escola Superior de Artes e Design das Caldas da Rainha.Currently, she is pursuing a PhD in Science and Technology of the Arts at the Catholic University of Porto, where she is developing research on interfaces for interspecies communication and artistic co-creation with different organisms.Her practice centers on interactions with other-than-human entities and their dynamic agency, seeking to unravel the intricate relationships between living organisms and matter. By integrating multiple mediums such as image, video, sound, and organic materials as catalysts for immersive experiences, her work creates a space for reflection on the interconnectedness of all entities. In 2022, she was awarded a scholarship for an art residency at RAMA, where she developed the solo exhibition Spectacular Instability. She also participated in Zonas deTransição (2023), a project by the PLMJ Foundation, showcasing Transmutations II, a piece later included in the foundation's collection. Her work has been featured in group exhibitions such as A Certain Practice of Attention (2023) and the XXII Biennial of Cerveira (2022). In 2024, her work was included in the Portuguese Emerging Art book, the Millennium BCP Young Art Award from which she was awarded the Portuguese Serigraphy Center Award.In 2025, she was one of the five artists to be selected to represent Porto and Ci.clo Platform in Futures Photography Festival of 2025.
Laura Van Severen is a photographer interested in landscape representation. She develops her artistic practice in the form of long-term projects that result from traversing, connecting, observing or interacting with a specific place. In doing so, she touches upon a variety of subjects, from global logistics and waste management to local rural realities or sound (hi)stories.
Laura studied Fine Arts and Photography at KASK School of Arts in Ghent, (Belgium) where she obtained her MA in 2015. that same year she was selected as one of ten talents by the FOMU Photography Museum in Antwerp. In 2016, she published the photobook Land (The Eriskay Connection), which was awarded Best Dutch Book Design. In 2021, she became part of Futures Photography after being nominated by the Triennial of Photographie Hamburg. In 2023, she received the Creación Injuve grant from the Spanish government and participated in an exchange residency between Hangar Barcelona and Kunstiftung Baden–Württemberg in Germany.
Under the title Listening–Gathering, she is currently creating a collection of stories in which sound impacts and materialises into concrete realities.
Laura lives in Barcelona (Spain) where she also works as a freelance photographer, teacher and studio manager.
Related professionals
Other professionals that might be interesting
All professionals
Emese Bíborka Szakács studied at the Institute of Communication and Media Studies at Pázmány Péter Catholic University. She is currently pursuing a degree in Art History at the University of Pécs.
Her interests focus on the past and present of experimental photography, as well as the cultural role of new media. As a staff member of the Robert Capa Contemporary Photography Center, she is involved in organizing international exhibitions and professional programs. She also works as a curator and writer within the frameworks of the Studio of Young Photographers (FFS) and the Studio of Young Artists’ Association (FKSE), contributing to the professional development and realization of several exhibitions in recent years.
Salvatore Vitale (b. 1986, Palermo, Italy) is a Swiss-based artist, director, and professor whose work explores the complexity of contemporary societies. Using expanded and speculative storytelling through mixed media techniques, he focuses on the politics of systems that regulate modernity and the impact of technological transformations.
Vitale is the Artistic Director of EXPOSED Torino Foto Festival and FUTURES Photography, both international platforms dedicated to contemporary photography. He also serves as a Professor at Lucerne University of Applied Sciences and Arts, where he leads the Transmedia Storytelling Programme. Previously, he was the co-founder and editor-in-chief of YET magazine, an international photography publication.
Vitale’s work has received international awards. It is featured in several public and private collections and has been widely exhibited in museums and at festivals worldwide.
Ángel Luis González Fernández is a designer, artist, and curator supporting engaging visual arts practices, winner of Business to Arts David Manley Emerging Entrepreneur Awards 2011.
His work manifests through PhotoIreland, which he founded in 2010 to stimulate a critical dialogue on Photography. He devises curatorial projects placing conversations in the public realm around visual culture, critical thinking. These include events (PhotoIreland Festival, Halftone Print Fair, arts residency How to Flatten a Mountain, and New Irish Works), a cultural hub (The Library Project: Ireland’s Art bookshop, host to a unique resource library of photobooks and a productive arts programme), publishing projects that distribute inexpensive access to local practices, research projects (Critical Academy: examining contemporary art practices). He works collaboratively with a growing network of organisations, noticeably through ambitious Creative Europe partnerships.
During the Summer 2020 lockdown he launched the critical publication OVER Journal, now distributed globally. He received the Arts Council of Ireland’s Visual Arts Bursary to deepen research on the broad historical and specific artistic context of Photography in Ireland, to curate an ambitious survey exhibition in PhotoIreland Festival 2022 and to publish a series of publications on the matter. He regularly contributes to publications such as the forthcoming The Routledge Companion to Global Photographies, edited by Lucy Soutter, Duncan Wooldridge.
See some of his Graphic and Web Design work in the 100 Design Archive.
Julia Gelezova is a Cultural Producer and Curator, specialising in contemporary lens-based practices. She is General and Project Manager for PhotoIreland, producing events throughout the year like the annual PhotoIreland Festival and Critical Academy, while collaborating on ambitious projects like Creative Europe Photography Platforms—Parallel and Futures. Julia is co-editor of OVER Journal: The Critical Journal of Photography and Visual Culture for the 21st Century. In 2024, she has founded vicinities.network - a peer network for Visual Arts curators and professionals based in Ireland.
She has ample experience in producing exhibitions and events, including curatorial work and project management, has vast and successful experience in personal and collective application writing for bodies like the Arts Council of Ireland and local councils. She has participated in portfolio reviews, acted as visiting lecturer, and also worked in an editorial capacity and translation for artists and other arts professionals, including work for The Routledge Guide to Photography and Visual Culture. Most recently, she curated the 2021 edition of PhotoIreland Festival and was the Centre Culturel Irlandais cultural producer resident 2022. She is a member of the AICA International Association of Art Critics.
Danaé Panchaud is a Swiss exhibition curator, museologist and lecturer specialising in photography. She has been the director of the Centre de la photographie Genève since 2022, after serving from 2018 to 2021 as director and curator of the Photoforum Pasquart in Biel, Switzerland. She trained in photography at the Vevey School of Photography before completing a bachelor’s degree in visual arts with a specialisation in curatorial practices at Geneva University of Art and Design. She later studied museology at Birkbeck, University of London, earning a master’s degree in 2017. She has held positions in several Swiss institutions in the fields of contemporary art, design and science, including the Centre d’Art Contemporain Genève, where she was a research associate from 2007 to 2012, the Gallery SAKS in Geneva in 2012-2013, the Fondation Verdan in Lausanne as scientific collaborator, and the mudac in Lausanne, where she was in charge of the public relations from 2012 to 2017. As a free-lance curator, she has curated exhibitions for several Swiss and international museums, independent spaces and galleries since 2012. She regularly writes texts for monographs of contemporary artists, exhibition catalogues, and thematic publications such as Flora Photographica, co-authored with William Ewing and published by Thames & Hudson in 2022. She was a lecturer at the Vevey School of Photography from 2014 to 2018, and regularly lectures at art and photography schools in Switzerland. In 2023, she joined the teaching faculty of the CAS in Theory and History of Photography at University of Zurich.
Iveta Gabaliņa (1979) is a curator, artist and educator. She has studied photography at the studio of Andrejs Grants, at Bournemouth Art Institute, and in the MA programme at Alto University in Helsinki. Her work has been exhibited in Latvia and internationally, including at C/O (Berlin, Germany), GESTE (Paris), and Williams Tower Gallery (Houston, USA). Gabaliņa has participated in photography festivals in Singapore, Hanover, and elsewhere. Her work is included in the collections of the Victoria & Albert Museum, Geste Paris, and the Deutsche Börse Art Collection.
Since 2008 she has been part of ISSP team, responsible for numerous educational and curatorial projects. In 2018 she founded ISSP Gallery - an exhibition space dedicated to contemporary photography.
Newsletter
Want to stay up to date with the latest news and events of FUTURES?
Each month we share articles and interviews, upcoming open studios and learning opportunities.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.