The
Professional
Emese Mucsi
Lives and Works in
Budapest
Emese Mucsi is a Hungarian-born curator, and art critic. Emese curates exhibitions where photography is interpreted in the context of contemporary art and works with artists who have an expanded idea of photography and produce photo-based works. Her projects bring together artists and photographers with photojournalists, writers, editors, and other thinkers to experiment with new approaches to photography. She graduated from the Faculty of Contemporary Art Theory and Curatorial Studies at the Hungarian University of Fine Arts in 2013, and from the Faculty of Hungarian Literature and Linguistics at the University of Szeged in 2017. She is a member of the curators’ collective BÜRO imaginaire since 2012. Since 2013, she ran projects as a freelance curator. From 2014 to 2018, she was the Editor-in-Chief of Artmagazin Online. Emese is a curator of the Robert Capa Contemporary Photography Center, Budapest since 2018. She is the member of Global Photographies Network since 2020. She founded DOXA exhibition space and editorial den in 2022. She is doing her PhD in the Film, Media, and Contemporary Culture PhD program at Eötvös Loránd University. Emese is a guest lecturer at the Moholy-Nagy University of Art and Design (2023) and the University of Szeged (2024).
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Emese Mucsi
was nominated by
Robert Capa Contemporary Photography Center
in
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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Marija Mandić (b. 1990, Novi Sad, Serbia) is an artist whose practice spans photography, text, drawing, and found footage. Her work delves into the themes of identity, memory and the past, often within a familial context, blending personal narratives with broader social issues. In 2023, Mandić was a finalist for the Mangelos Award, part of the Young Visual Artists Awards network. She won the Fotograf Magazine (CZ) open call in 2022 and received the VID Foundation for Photography grant in 2021 for her project White Bee. Her accolades also include the Dositeja scholarship, a grant from the Ministry of Education of the Czech Republic, and the Mali Princ Foundation award. Mandić holds a PhD in Visual Communication from the Faculty of Art and Design in Ústí nad Labem, where she lectured from 2015 to 2019.



Ilias Lois (b. Athens) is an artist whose work considers the notion of home, life in European urban centers, and the materiality of objects and technologies. His practice pays particular attention to the act of translating the three-dimensional world into two-dimensional surfaces—and the reverse process that may follow. He is especially drawn to photographic sequencing and the possibilities of non-linear storytelling. In the summer of 2024, he earned a Master’s degree in Photography: Research and Methodology from UniWA. He contributes to photography education as a tutor at the Hellenic Centre of Photography and Paper Drop Lab (founder), where he leads project development and experimental curation workshops. He is also an editor at Velvet Eyes, an online photography magazine. On the recommendation of the publishing house Void, he became Future Talent ’24.

Olga Kocsi (1987) is a multimedia artist based in Budapest and Freiburg, creating multi-sensory experiences that explore topics at the intersection of various scientific fields. Her work investigates the relationship between reality and virtual reality, as well as its potential evolution in the future, while pushing and mapping the boundaries between private and public spheres.
Kocsi is known for her complex installations that envelop the viewer, employing a wide range of media including photography, video, animation, and VR. A key aspect of her practice is providing guided experiences that encourage audiences to engage with socially complex messages through self-reflection.
Her main areas of focus include human stories, the mapping of time and reality, and simulation. As an experimental thinker, Kocsi boldly plays with spaces, surfaces, and materials, crafting unconventional situations that actively involve the viewer.

Nayara Leite (b. 1989) is a Brazilian artist and writer based in Bergen, Norway. She holds an MFA from the Bergen Art Academy and an MA in Photojournalism & Documentary Photography from the London College of Communication. Nayara works across text, performance, film, photography and installation. Through autobiographical narrative, political news, archival material and letters to close friends, she produces a portrayal of the reality in which the LGBTQ+ community lives in Brazil and in Norway. She has exhibited and/or held performances at Bergen Kunsthall, Palmera, Lydgalleriet, Isotop, Bergen Kjøtt and KODE 2 in Bergen; Preus Museum in Horten; Studio 17 in Stavanger; Oslo Negativ, Kunstnerforbundet and Kunstnernes Hus in Oslo; and Momentum Biennale in Moss.

Ignacio Navas (b. 1989 Tudela, lives and works in Madrid) creates computational, generative and interactive projects based on photographic image to research how dominant structures—political, economic, or social—are made present and shape our everyday affairs. With this approach, Ignacio explores the possibilities that emerging technologies, computing, and new media offer to the photographic medium.
His recent work has received support from several grants and institutions, including the Visual Arts Creation Fellowship (Community of Madrid, 2024) and the Plastic and Visual Arts Fellowship (Government of Navarra, 2024). His images and interactive installations have also been part of initiatives such as Plat(t)form at Fotomuseum Winterthur (Switzerland, 2024), the Photoworks Digital Programme (UK, 2023), the Return2Ithaca Residency (Greece, 2023), and the FUTURES European Photography Platform (Netherlands, 2022).
Ignacio believes that contemporary creation cannot be understood without actively engaging in its own management. This conviction drives him to lead collective initiatives such as La Embajada (2024–), a platform to showcase projects created within the Spanish territorial context in the unofficial circuit of the Rencontres d’Arles festival, or El Local (2023–), an independent space for contemporary photography in Madrid.



Julius Thissen (1993, the Netherlands) lives and works in Arnhem, NL. Their work investigates themes of community and representation, masculinity, sports, and competition. Originating from their background as a performance artist, Thissen's photographic practice aims to create narratives that explore the fine line between performing and failing. These themes are closely tied to contemporary performance-driven culture and the influence of societal expectations on behavior. Their work is deeply rooted in personal experiences as a genderqueer and transmasculine individual. Thissen strongly opposes the restrictive and often binary narratives imposed on transgender and queer individuals.
Thissen has been nominated for the Hendrik Valk Prize, Arnhemse Nieuwe, and the Warsteiner Blooom Awards. In 2023, they received the Artist Basis Fund and, more recently, a Mondriaan Fund Artist Project Grant for their new project Bones of Graphene, Skin of Kevlar.



Anna Safiatou Touré (Bamako, Mali, born in 1996) is a Franco-Malian multidisciplinary artist based in Brussels. She graduated from the Nantes Saint-Nazaire School of Fine Arts and the ENSAV La Cambre in photography. Anna Safiatou was awarded the Médiatine Prize in 2022 and the Roger De Conynck Fund in 2023-24.
Her work explores the space that unites or separates the two sides of every migratory narrative. The journey through this personal, historical, and cultural blending fills for her empty or unanswered spaces. On her own scale, she wishes to materialize this absence by creating her own evidence to make history heard—rendering the absence visible to tell stories from these new bodies. Like a certain poetry of emptiness, couldn’t the world be told in reverse, like a stencil, from the edge?



Carlos Trancoso is a Portuguese visual artist that works and lives in Porto. He uses the photographic gaze as a critical tool to understand how the human being relates to technology. His work aims to challenge established patterns of interaction relating to the creation of images in contemporary society. Although he mainly uses fictional approaches, his work incorporates a documental photography language with the expanded practice of creating cameraless images, mixed media and computer generated images. He is a founding member of Barda collective, which utilizes visual arts to foster social cohesion. He has exhibited at festivals such as Photoalicante, Backlight (2020), Photo Open Up, f/est Amarante (2022), Athens Digital Arts Festival (2023), Bienal da Maia (2021/2023) and Bienal de Fotografia do Porto (2025) . His works have also been exhibited in spaces such as Galeria FFAC, Galeria Dentro and MIRA FORUM in Porto, Casa do Capitão and XYZ Books in Lisbon and El Local in Madrid.



Anca Punct, an artist from Bucovina and now residing in Cluj-Napoca,
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Bo Vloors (she/her) is a visual artist, writer, photographer and filmmaker based in Brussels. Using image and text, her work revolves around human relations, within and with their surroundings, and the influential power of images.
The Image stands central in her practice. Inspired by natural cycles and symbiotic arrangements, her work finds its origins in the repeated consultation of an ever-expanding archive built up over the past decade. Exploring her role as an image-maker (both in images and words), she defines her writings as The Missing Image, serving a complementary, affirmative or rhetorical purpose in relation to the actual image. Striving to balance aesthetics and content, the formats she uses may vary from publications, spatial installations, audio-visual to audio-performative. Still, The Image remains rooted in the core of her artistic practice, both as subject and material.
Her work has been exhibited at Beursschouwburg (BE), Z33 (BE), Argos (BE), Art au Centre (BE), Decoratelier (BE), SB34 (BE), De Studio (BE), Het Bos (BE), OFFoff cinema (BE), CinemaTEK (BE), Bizet Bizar (BE), Radio Panik (BE), RAVI (BE), Folle Béton film festival (FR), Lateral film Festival (IT), San Sebastian film Festival (ES), Cashmere Radio (DE) and Dublin Digital Radio (IE).


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Salvatore Vitale (b. 1986, Palermo, Italy) is a Swiss-based artist, director, and professor whose work explores the complexity of contemporary societies. Using expanded and speculative storytelling through mixed media techniques, he focuses on the politics of systems that regulate modernity and the impact of technological transformations.
Vitale is the Artistic Director of EXPOSED Torino Foto Festival and FUTURES Photography, both international platforms dedicated to contemporary photography. He also serves as a Professor at Lucerne University of Applied Sciences and Arts, where he leads the Transmedia Storytelling Programme. Previously, he was the co-founder and editor-in-chief of YET magazine, an international photography publication.
Vitale’s work has received international awards. It is featured in several public and private collections and has been widely exhibited in museums and at festivals worldwide.

Ángel Luis González Fernández is a designer, artist, and curator supporting engaging visual arts practices, winner of Business to Arts David Manley Emerging Entrepreneur Awards 2011.
His work manifests through PhotoIreland, which he founded in 2010 to stimulate a critical dialogue on Photography. He devises curatorial projects placing conversations in the public realm around visual culture, critical thinking. These include events (PhotoIreland Festival, Halftone Print Fair, arts residency How to Flatten a Mountain, and New Irish Works), a cultural hub (The Library Project: Ireland’s Art bookshop, host to a unique resource library of photobooks and a productive arts programme), publishing projects that distribute inexpensive access to local practices, research projects (Critical Academy: examining contemporary art practices). He works collaboratively with a growing network of organisations, noticeably through ambitious Creative Europe partnerships.
During the Summer 2020 lockdown he launched the critical publication OVER Journal, now distributed globally. He received the Arts Council of Ireland’s Visual Arts Bursary to deepen research on the broad historical and specific artistic context of Photography in Ireland, to curate an ambitious survey exhibition in PhotoIreland Festival 2022 and to publish a series of publications on the matter. He regularly contributes to publications such as the forthcoming The Routledge Companion to Global Photographies, edited by Lucy Soutter, Duncan Wooldridge.
See some of his Graphic and Web Design work in the 100 Design Archive.

Julia Gelezova is a Cultural Producer and Curator, specialising in contemporary lens-based practices. She is General and Project Manager for PhotoIreland, producing events throughout the year like the annual PhotoIreland Festival and Critical Academy, while collaborating on ambitious projects like Creative Europe Photography Platforms—Parallel and Futures. Julia is co-editor of OVER Journal: The Critical Journal of Photography and Visual Culture for the 21st Century. In 2024, she has founded vicinities.network - a peer network for Visual Arts curators and professionals based in Ireland.
She has ample experience in producing exhibitions and events, including curatorial work and project management, has vast and successful experience in personal and collective application writing for bodies like the Arts Council of Ireland and local councils. She has participated in portfolio reviews, acted as visiting lecturer, and also worked in an editorial capacity and translation for artists and other arts professionals, including work for The Routledge Guide to Photography and Visual Culture. Most recently, she curated the 2021 edition of PhotoIreland Festival and was the Centre Culturel Irlandais cultural producer resident 2022. She is a member of the AICA International Association of Art Critics.

Danaé Panchaud is a Swiss exhibition curator, museologist and lecturer specialising in photography. She has been the director of the Centre de la photographie Genève since 2022, after serving from 2018 to 2021 as director and curator of the Photoforum Pasquart in Biel, Switzerland. She trained in photography at the Vevey School of Photography before completing a bachelor’s degree in visual arts with a specialisation in curatorial practices at Geneva University of Art and Design. She later studied museology at Birkbeck, University of London, earning a master’s degree in 2017. She has held positions in several Swiss institutions in the fields of contemporary art, design and science, including the Centre d’Art Contemporain Genève, where she was a research associate from 2007 to 2012, the Gallery SAKS in Geneva in 2012-2013, the Fondation Verdan in Lausanne as scientific collaborator, and the mudac in Lausanne, where she was in charge of the public relations from 2012 to 2017. As a free-lance curator, she has curated exhibitions for several Swiss and international museums, independent spaces and galleries since 2012. She regularly writes texts for monographs of contemporary artists, exhibition catalogues, and thematic publications such as Flora Photographica, co-authored with William Ewing and published by Thames & Hudson in 2022. She was a lecturer at the Vevey School of Photography from 2014 to 2018, and regularly lectures at art and photography schools in Switzerland. In 2023, she joined the teaching faculty of the CAS in Theory and History of Photography at University of Zurich.

Iveta Gabaliņa (1979) is a curator, artist and educator. She has studied photography at the studio of Andrejs Grants, at Bournemouth Art Institute, and in the MA programme at Alto University in Helsinki. Her work has been exhibited in Latvia and internationally, including at C/O (Berlin, Germany), GESTE (Paris), and Williams Tower Gallery (Houston, USA). Gabaliņa has participated in photography festivals in Singapore, Hanover, and elsewhere. Her work is included in the collections of the Victoria & Albert Museum, Geste Paris, and the Deutsche Börse Art Collection.
Since 2008 she has been part of ISSP team, responsible for numerous educational and curatorial projects. In 2018 she founded ISSP Gallery - an exhibition space dedicated to contemporary photography.
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