Danaé Panchaud

The work of Maite Vanhellemont (1990) moves at the intersection of family stories and collective history. In “A Little Memory of The Beginning”, she reflects on her Dutch-Indonesian background using archive material, photography, video, drawings and text. In May 2026 she will present this project in a solo exhibition during Kraków Photo Month (PL). In collaboration with FW:Books (NL), she will present a publication at the end of 2026.

In 2025, she was selected for the FOTODOK Talent Embassy, and in 2024, the project “Zoals mij gewoon is” (As as is common to me) was presented during SPOOR Art Festival (BE), in collaboration with Plan B Arts Platform.

She is also a lecturer at the University of the Arts in Utrecht (NL), a language volunteer for women at Stichting Dynamo in Amsterdam (NL) and is currently enrolled in the part-time master's program “Education in Arts” at the Piet Zwart Institute in Rotterdam (NL).

Angeniet Berkers (1985) is a documentary photographer and educator based in Rotterdam. She holds a BA Degree in Social Work and Photography (KABK The Hague). She previously worked as a sociotherapist, counseling veterans and refugees with complex PTSD. Her background in mental health care is evident in her choice of subjects, approach, and working methods. Her long-term projects explore the intersections of history, trauma, and family, revealing how personal and collective memories shape and influence our present. Through extensive research and a blend of visual languages, archival materials, text, and sound, she translates complex stories into an accessible and empathetic whole. Her project Lebensborn was shortlisted for the Aperture Paris Photo First Book Award and the Historical Book Award at Luma Rencontres d'Arles. Her work has appeared in The Washington Post, Katalog Journal, de Volkskrant, and NRC.

Laurence Rasti was born in 1990 to Iranian parents in Switzerland. She studied photography at ECAL – University of Art and Design Lausanne (BA, 2014) and fine arts at HEAD – Geneva University of Art and Design (MA, 2019). Her projects often explore issues surrounding identity, visibility, legitimacy and representation. Drawing from the duality of her own cultural background, she examines Swiss and Iranian cultural codes and conventions in order to understand the influence of gender roles in society. The consequences of migration or the non-respect of fundamental rights is another strong focus of many of her recent projects. Her book "There Are No Homosexuals in Iran" (Edition Patrick Frey, 2017) was shortlisted for the Paris Photo Aperture First Photobook Award, the Author Book Award of Rencontres d’Arles, and nominated as one of the 10 best photobooks of 2017 by the New York Times Magazine. Her work has been exhibited in group and solo exhibitions around the world, including "ReGeneration3" at Musée de l’Elysée in Lausanne, "Disruptive Perspectives" at Museum of Contemporary in Chicago and Photoforum Pasquart in Biel, "Iran Contemporary" at Fotohof Art Gallery in Austria, and several festivals including PhotoKatmandu, Athens Photo Festival and Tokyo International Photography Festival. She was the laureate of the Photographic Survey of the City of Geneva in 2019, and of the Photographic Survey of Canton Neuchâtel in 2022.

Karol Szymkowiak (b. 1983) is a photographer, photobook artist, curator and educator based in Poznań, Poland. Self-taught photographer, specializing in documentary photography and photo collages - work with archives. His work revolves around themes such as environmental problems, military and civil defence, physical and mental immobilisation. He is constantly fascinated by finding surrealism in faithfully recording reality using photography. As a photographer, he has participated in over a dozen group exhibitions. Since 2015 he is art curator of a long-term photography documentary project The Września Collection (Kolekcja Wrzesińska) whose patron is the Mayor of the City and Municipality of Września. As part of his work on this project, he is collaborating with leading Polish photographers to create photobooks and exhibitions about his home town of Września. Karol is a member of The Association of Polish Art Photographers (ZPAF) and a scholarship recipient of the Marshal of the Wielkopolska Region in the field of culture. He is also a lecturer in photography at the Institute of Art of the Polish Academy of Sciences in Warsaw.

Emilia Martin is a Polish artist and photographer based in The Hague, Netherlands, where in 2022 she graduated from Photography & Society Masters at the Royal Academy of the Art. Working with photography, writing, and sound, she explores how the stories we tell shape the realities we inhabit. She investigates mythologies and tales, and how they fluctuate and shift throughout histories. Through her work, she aims to complicate the binary understandings of fiction and truth and their established aesthetics. Her process is based on careful research and personal, often playful approaches, through which she questions dominant narratives. The belief in storytelling is rooted in her upbringing, where she engaged with both rural mythologies and urban narratives. She grew up between two different realities: a remote farm belonging to her grandmother in rural Eastern Poland and a heavy industry coal mining urban region in the West of the country. The clash between these two realities, the narrative of extractivism against rural mythologies and the proximity of nature, formed a place that continues to ground her artistic practice. Her work is inspired and informed by her rural Polish ancestry and intersectional feminist approaches.

Karolina Gembara is a photographer and researcher whose work revolves around  themes such as home, belonging, migration, and practices of care. Much of her recent  activity has been devoted to politics and activism. She uses photography and video as  tools and pretexts for collaboration, fostering creative processes.  In 2013, she published her debut book "Fitting Rooms," which examines the role of  women in her generation. Between 2009 and 2016, Karolina was based in India, where  she produced her second book "When We Lie Down, Grasses Grow From Us,"  exploring the migratory experience (published by GOST Books in 2019). She is an  editor of several Strike Newspapers published by the Archive of Public Protest.  In recent years, she has initiated and completed several participatory projects involving  refugees, creating spaces for collaboration and self-expression.  Karolina is currently working on her Ph.D. dissertation (K. Kieślowski Film School), which centers around the subjective narratives of historical migrations. She is a member of Sputnik Photos and the A-P-P

Kristīne Krauze-Slucka is a visual artist based in Riga, Latvia, whose conceptual practice interrogates the materiality of industrially produced objects, transforming them into catalysts for pseudo-social anthropological inquiries that unravel conventional perceptions. Her approach to photographic image-making transcends the traditional lens, venturing into the realm of meta images and afterimages. By employing experimental, camera-less techniques, she treats the photographic medium not only as a tool for visual representation but as a tactile, sensory and embodied experience that underscores the physical and material processes of creation. Balancing familiarity with abstraction, her work invites viewers to reconsider the often distorted relationships between man-made materials and the environment, ultimately engaging a sensory dialogue about our perception. Krauze-Slucka holds a Master’s degree in Fine Arts from the Visual Communication Department of the Latvian Academy of Arts. She was awarded the Grand Prix of the Nordic and Baltic Young Artist Award in 2020 and has been twice nominated for the prestigious Purvītis Prize. In 2022, she was selected as a FUTURES artist, an honor awarded by the Europe-based photography platform. She also serves as a lecturer at the International Summer School of Photography (ISSP).

Teresa Freitas (b. 1990) is a Portuguese photographer and colourist. Her work navigates the genres of fine art, documentary and street photography, often exploring the impact of colour in composition, place, mood, and in the viewer's aesthetic response. Initially drawn to black and white film, Teresa followed her influences from Painting and Cinema to apply a knowledge of colour theory and harmony to develop a signature style which has earned her praise in many publications. She shares this knowledge through international workshops and online courses. After several years working in commercial photography—with collaborations including Leica, Adobe, and Dior—she is now focused on short and long-term documentary projects. Her current work examines cultural and symbolic relationships to nature, particularly through flowers.

Jeroen De Wandel uses photography as a starting point to create new images from all sorts of material (photographic or otherwise), using his own photography in different shapes, contexts and meanings. His artistic work often starts from a personal need to react within a social context / our society. A common thread is the functioning of our brain: how we deal with zeitgeist, with information, with manipulation, with technology and how all this reflects back on our psychological well-being. Depending on the angle and location, he uses different techniques, from photography and collages to installations, sculptures and spatial interventions. He showed work in FoMu (BE) and Circulations (FR) and recently had his first solo show (2024). Follow at @jeroen_de_wandel for recent work

Benedetta Casagrande is an artist, writer and educator working with photography. Starting from a theoretical approach in the field of ecology and critical studies, she developed a biocentric practice that uses photography to investigate interspecies relationships and more-than-human life in times of extinctions. Benedetta is the winner of the Luigi Ghirri Prize (2024), of FE+SK Book Award (2024), and received the honorable mention from the jury of the Francesco Fabbri Prize for Contemporary Arts (2024). She is the commissioned artist for Photo Città della Pieve 2025. Her first photobook, All things laid dormant (Skinnerboox, 2024) was shortlisted for the Arles Authors Book Award and Singapore International Photography Festival Book Award, and received the special mention of the Marco Bastianelli Book Award (2025). Her work has been exhibited in national and international exhibitions, including Triennale Milano (Milan, 2025), Italian Institute of Culture Stockholm (2025), L'Imagerie Centre d'Arte (Lainnon, 2025), Prague Photo Festival (2025), Ph Museum Days (Bologna, 2024), Fotografia Europea, Palazzo dei Musei (Reggio Emilia, 2024), Photo Brussels Festival (2024), ADI Design Museum (Milano, 2023), INSTANCE (Shanghai, 2021) and Photo Ireland Festival (2019). Her writing has been published on digital and print publications such as American Suburb X, inCf Magazine, The Light Observer, Ardesia Projects and Over Journal, and she has written essays for photobooks and catalogues amongst which Lay Her Down Upon Her Back (Róisín White, 2023), How To Raise a Hand (Angelo Vignali, 2022), ITALIA 90 (2021) and Diachronicles (CameraWork, Giulia Parlato, 2020).