The
Professional
Angel Luis Gonzalez Fernandez
Lives and Works in
Dublin, Ireland
Ángel Luis González Fernández is a designer, artist, and curator supporting engaging visual arts practices, winner of Business to Arts David Manley Emerging Entrepreneur Awards 2011.
His work manifests through PhotoIreland, which he founded in 2010 to stimulate a critical dialogue on Photography. He devises curatorial projects placing conversations in the public realm around visual culture, critical thinking. These include events (PhotoIreland Festival, Halftone Print Fair, arts residency How to Flatten a Mountain, and New Irish Works), a cultural hub (The Library Project: Ireland’s Art bookshop, host to a unique resource library of photobooks and a productive arts programme), publishing projects that distribute inexpensive access to local practices, research projects (Critical Academy: examining contemporary art practices). He works collaboratively with a growing network of organisations, noticeably through ambitious Creative Europe partnerships.
During the Summer 2020 lockdown he launched the critical publication OVER Journal, now distributed globally. He received the Arts Council of Ireland’s Visual Arts Bursary to deepen research on the broad historical and specific artistic context of Photography in Ireland, to curate an ambitious survey exhibition in PhotoIreland Festival 2022 and to publish a series of publications on the matter. He regularly contributes to publications such as the forthcoming The Routledge Companion to Global Photographies, edited by Lucy Soutter, Duncan Wooldridge.
See some of his Graphic and Web Design work in the 100 Design Archive.
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Angel Luis Gonzalez Fernandez
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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Michelle Piergoelam (b. 1997) is a photographer who studied at the Royal Academy of Art in The Hague, the Netherlands. She creates visual stories based on dreams, memories, cultural myths and traditions. Despite her Surinamese background, Piergoelam knew little about this country; a curiosity to learn more prompted her to seek out new narratives. With her images, the artist stimulates the imagination and narrative culture – to keep their transmission alive. Her practice applies varied photographic techniques while using elements of the night; details become the subject when light strikes over them, and the smallest gestures speak loud and clear. In 2020, Piergoelam’s The Untangled Tales project was nominated for both Blurring the Lines and the Kassel Dummy Award, and was awarded second prize at the Zilveren Camera Prize for Storytelling.
Anna Adamo land on this planet on September ’91, born and raised in the suburbs of Milano, north of Italy, investigate intimate, detailed portraits of her mother and her daily life since she was a teenager. She approached to photography in her childhood with her brother's camera. After the artistic studies she took part on the first national competition established by Leica, with the project ''This is our youth'' and won along with 5 others. Here she got scouted by a member of the jury, Magnum’s member Alex Majoli, whom later proposed her a work experience with the collective of photographers and photojournalist, Cesura, which he founded in 2008.
After having worked there as an intern for three months, she’s since been working there as a collaborator for five years.
She has documented various underground scenarios such as Gabbers, Punks.
All of this drives me in search of stories surrounded by human presence, emotions and families. From 2018 she works as a photographer freelance developing long-term personal projects, but also began to take her first steps in the fashion and editorial’s world.
Joanna Chia-yu Lin explores memory and place through an interdisciplinary approach, incorporating photography, painting, textiles, and installations to trace connections between belonging, home, and the unspoken spaces where emotions and realities meet.
Born in 1995 in Chiayi, Taiwan, and based in Oslo, Norway, Joanna holds an MFA in Medium and Materials-Based Art from the Oslo National Academy of the Arts and a BFA in Fine Arts from National Taiwan Normal University. Her works have been shown in several venues in Norway, including Kunstplass, Tenthaus, the Photo Festival Oslo Negativ, Drammens Museum, and Northing Space. Upcoming exhibitions include Fotografiens Hus (Oslo), Yao’s Alternative Space, and Glitch (Taichung, Taiwan).
She is a member of Tenthaus Collective, The Norwegian Association of Painters and The Association of Norwegian Visual Artists. Her works are in the collections of Västra Götalandsregionen, Sweden, and Art Bank Taiwan at the National Taiwan Museum of Fine Arts.
Top researches the topics of mass surveillance, privacy, data collection.In his practice, he layers a traditional approach to documentary research with a more experimental use of new technologies (such as facial recognition, movement analysis, and deepfakes). The artist uses these technologies to visualise and examine scenarios in which people can protect themselves and their rights by gaining knowledge and reclaiming control of surveillance tools.
Top’s projects addressing human rights, police misconduct and facial recognition during protests aim to contrast the abstract nature of the algorithmic mechanisms behind mass surveillance, by providing a concrete visualisation of the phenomenon and confronting the public with the extensive amount of surveillance societies are subjected to and the ethical risks deriving, finally offering theoretical solutions.
Pascual Ross (b.1977) is a Spanish photographer, who lives and works in Andalusia. His photographic practice is based on the people and the stories that each of us carry inside, this being his central axis of work. It reflects on the individual, his natural environment and the customs that condition him in one way or another. The minimal stories are the most important in the story line of your work.
Martina Zanin (b. 1994, San Daniele del Friuli) is a visual artist based in Milan. Her practice moves seamlessly between photography, writing, collage, leatherwork, installation, sculpture, and artist books.
Zanin is the author of the photobook I Made Them Run Away, published by Skinnerboox, and Older Than Love, a self-published artist book. In 2024 she is a finalist for the Talent Prize Inside Art. She is the winner of Premio Driving Energy 2023 and is among the recipients of Giovane Fotografia Italiana 2021 and Cantica21. Italian Contemporary Art Everywhere, promoted by MAECI and MiC.
Her work has been exhibited in solo and group shows at national and international level, including GNAM - National Museum of Modern Art, Rome (2024), IIC Toronto (2024), Cassina Projects, Milan (2024), Palazzo delle Esposizioni, Rome (2023), Foto Forum, Bozen (2023), Fondazione Pastificio Cerere, Rome (2023), Benaki Museum, Athens (2022), IIC Abu Dhabi (2021), FMAV - Fondazione Modena Arti Visive (2021), galleria studiofaganel, Gorizia (2021), Fotografia Europea (2021), Goethe Institute, Rome (2017).
Her works are part of public collections such as MoMA Library New York, Haas Library Yale University, MEP - Maison Européenne de la Photographie Paris, FMAV - Fondazione Modena Arti Visive, and Fondazione Orestiadi.
Visvaldas Morkevicius (b. 1990) is a Lithuanian artist s a Lithuanian artist working in the expanded field of the image, who explores photography and its boundaries through personal experiences and reflections on society. His work navigates themes of identity, technology, and power, blending minimalism with layered narratives to examine modern life’s emotional and psychological dimensions.
At this moment, he is pursuing his MA diploma in Photography at EACL, Switzerland (2025).
Visvaldas works reflect a deep engagement with contemporary life's emotional and psychological dimensions, examining how hyperconnectivity, media saturation, and systemic forces shape human perception, memory, and agency. The artist's approach is both critical and reflective. He uses photography and interdisciplinary media to explore themes of loss, disconnection, and resilience, juxtaposing personal experience with broader societal dynamics. His art often reveals the tension between intimacy and detachment, questioning how technology mediates relationships, reframes violence, and commodifies identity. Visvaldas draws from psychoanalysis
and critical theory to investigate the cycles of desire, control, and addiction embedded in modern systems.
He is particularly interested in how these systems exploit human vulnerability, trapping individuals in loops of consumption and obedience. Through his practice, he challenges viewers to confront the fragile balance between autonomy and control, reality and hyperreality.His work combines stark minimalism with layered narratives, creating immersive experiences that invite reflection on contemporary life's emotional and ethical implications. Visvaldas seeks to uncover hidden connections, offering a lens through which to question the forces that shape our lives while exploring the human desire for meaning, connection, and self-expression.
Represented by Galerie Elisabeth & Reinhard Hauff
Camille Poitevin (b. Montreal, Canada, 1996) is a french multidisciplinary artist based in Brussels. Installation plays a central role in her practice : drawing from lens-based media, sculpture, and sound, she creates time for introspection in a fast-paced society. In doing so, she aims to challenge social norms, unfreezing preconceived ideas in human interactions, social roles, and personal identity. Camille Poitevin earned a BA in applied arts from Concordia University in Montreal (2018) and an MA in photography from ENSAV La Cambre in Brussels (2022), where she was awarded a creation grant by the King Baudouin Foundation and the Servix Prize. Her work has since been exhibited in Belgium (Beursschouwburg, BPS22, Hangar Art Center, Ateliers Mommen, HISK Gosset Site, CAL Charleroi), the Netherlands (as part of Currents#10 program at Marres Huis voor Hedendaagse Cultuur), France (FRAC Franche-Comté), and Spain (InCadaqués Festival OFF). In 2025, she participates in the collective exhibition Art au Centre in public space in Liège in the .tiff Emerging Belgian Photography program.
Benjamin Li is a conceptual artist based in Rotterdam. His work pushes on questions of identity, representation, displacement, everyday life, foodways and a sense of home. He currently approaches these questions centrally through an exploration of the Chinese-Indonesian restaurant.
Since 2014, Benjamin has visited over 1.200 Chinese-Indonesian restaurants across the Netherlands in an endeavour to build an archive of this restaurant. During these visits he has collected menus, pieces of tableware and written memories of his encounters. Importantly, he has also taken photographs of over 250 unique Chinese-Indonesian dishes at these restaurants. Throughout the years Benjamin also traced back and collected many sugar packs, postcards, beer glasses and other objects all linked to (defunct) Chinese-Indonesian restaurants.
Benjamin finds beauty in the Chinese-Indonesian restaurant, but for him it is also a way to come to understand his Chinese roots and family history. Many of his family members, including his parents, have worked in the restaurants as way to survive and integrate into Dutch society. With his work Benjamin tries to honour the restaurant, where others at times mock it. Today he sees the significance of his work in straddling the tension between bringing out the absurdity of certain stereotypes and fostering a reappraisal of the beauty and heritage of the Chinese-Indonesian restaurant.
Since 2014, Benjamin has visited over 1.200 Chinese-Indonesian restaurants across the Netherlands in an endeavour to build an archive of this restaurant. During these visits he has collected menus, pieces of tableware and written memories of his encounters. Importantly, he has also taken photographs of over 250 unique Chinese-Indonesian dishes at these restaurants. Throughout the years Benjamin also traced back and collected many sugar packs, postcards, beer glasses and other objects all linked to (defunct) Chinese-Indonesian restaurants.
Benjamin finds beauty in the Chinese-Indonesian restaurant, but for him it is also a way to come to understand his Chinese roots and family history. Many of his family members, including his parents, have worked in the restaurants as way to survive and integrate into Dutch society. With his work Benjamin tries to honour the restaurant, where others at times mock it. Today he sees the significance of his work in straddling the tension between bringing out the absurdity of certain stereotypes and fostering a reappraisal of the beauty and heritage of the Chinese-Indonesian restaurant.
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Sheung Yiu (HK/FI) is a Hong-Kong-born, image-centered artist and researcher, based in Helsinki. His artwork explores the act of seeing through algorithmic image systems and sense-making through networks of images. His research interests concern the increasing complexity of algorithmic image systems in contemporary digital culture. He looks at photography through the lens of new media, scales, and network thinking; He ponders how the posthuman cyborg vision and the technology that produces it transform ways of seeing and knowledge-making. Adopting multi-disciplinary collaboration as a mode of research, his works examine the poetics and politics of algorithmic image systems, such as computer vision, computer graphics, and remote sensing, to understand how to see something where there is nothing, how to digitize light, and how vision becomes predictions. His work takes the form of photography, videos, photo-objects, exhibition installations, and bookmaking.
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Salvatore Vitale (b. 1986, Palermo, Italy) is a Swiss-based artist, director, and professor whose work explores the complexity of contemporary societies. Using expanded and speculative storytelling through mixed media techniques, he focuses on the politics of systems that regulate modernity and the impact of technological transformations.
Vitale is the Artistic Director of EXPOSED Torino Foto Festival and FUTURES Photography, both international platforms dedicated to contemporary photography. He also serves as a Professor at Lucerne University of Applied Sciences and Arts, where he leads the Transmedia Storytelling Programme. Previously, he was the co-founder and editor-in-chief of YET magazine, an international photography publication.
Vitale’s work has received international awards. It is featured in several public and private collections and has been widely exhibited in museums and at festivals worldwide.
Emese Mucsi is a Hungarian-born curator, and art critic. Emese curates exhibitions where photography is interpreted in the context of contemporary art and works with artists who have an expanded idea of photography and produce photo-based works. Her projects bring together artists and photographers with photojournalists, writers, editors, and other thinkers to experiment with new approaches to photography. She graduated from the Faculty of Contemporary Art Theory and Curatorial Studies at the Hungarian University of Fine Arts in 2013, and from the Faculty of Hungarian Literature and Linguistics at the University of Szeged in 2017. She is a member of the curators’ collective BÜRO imaginaire since 2012. Since 2013, she ran projects as a freelance curator. From 2014 to 2018, she was the Editor-in-Chief of Artmagazin Online. Emese is a curator of the Robert Capa Contemporary Photography Center, Budapest since 2018. She is the member of Global Photographies Network since 2020. She founded DOXA exhibition space and editorial den in 2022. She is doing her PhD in the Film, Media, and Contemporary Culture PhD program at Eötvös Loránd University. Emese is a guest lecturer at the Moholy-Nagy University of Art and Design (2023) and the University of Szeged (2024).
Julia Gelezova is a Cultural Producer and Curator, specialising in contemporary lens-based practices. She is General and Project Manager for PhotoIreland, producing events throughout the year like the annual PhotoIreland Festival and Critical Academy, while collaborating on ambitious projects like Creative Europe Photography Platforms—Parallel and Futures. Julia is co-editor of OVER Journal: The Critical Journal of Photography and Visual Culture for the 21st Century. In 2024, she has founded vicinities.network - a peer network for Visual Arts curators and professionals based in Ireland.
She has ample experience in producing exhibitions and events, including curatorial work and project management, has vast and successful experience in personal and collective application writing for bodies like the Arts Council of Ireland and local councils. She has participated in portfolio reviews, acted as visiting lecturer, and also worked in an editorial capacity and translation for artists and other arts professionals, including work for The Routledge Guide to Photography and Visual Culture. Most recently, she curated the 2021 edition of PhotoIreland Festival and was the Centre Culturel Irlandais cultural producer resident 2022. She is a member of the AICA International Association of Art Critics.
Danaé Panchaud is a Swiss exhibition curator, museologist and lecturer specialising in photography. She has been the director of the Centre de la photographie Genève since 2022, after serving from 2018 to 2021 as director and curator of the Photoforum Pasquart in Biel, Switzerland. She trained in photography at the Vevey School of Photography before completing a bachelor’s degree in visual arts with a specialisation in curatorial practices at Geneva University of Art and Design. She later studied museology at Birkbeck, University of London, earning a master’s degree in 2017. She has held positions in several Swiss institutions in the fields of contemporary art, design and science, including the Centre d’Art Contemporain Genève, where she was a research associate from 2007 to 2012, the Gallery SAKS in Geneva in 2012-2013, the Fondation Verdan in Lausanne as scientific collaborator, and the mudac in Lausanne, where she was in charge of the public relations from 2012 to 2017. As a free-lance curator, she has curated exhibitions for several Swiss and international museums, independent spaces and galleries since 2012. She regularly writes texts for monographs of contemporary artists, exhibition catalogues, and thematic publications such as Flora Photographica, co-authored with William Ewing and published by Thames & Hudson in 2022. She was a lecturer at the Vevey School of Photography from 2014 to 2018, and regularly lectures at art and photography schools in Switzerland. In 2023, she joined the teaching faculty of the CAS in Theory and History of Photography at University of Zurich.
Iveta Gabaliņa (1979) is a curator, artist and educator. She has studied photography at the studio of Andrejs Grants, at Bournemouth Art Institute, and in the MA programme at Alto University in Helsinki. Her work has been exhibited in Latvia and internationally, including at C/O (Berlin, Germany), GESTE (Paris), and Williams Tower Gallery (Houston, USA). Gabaliņa has participated in photography festivals in Singapore, Hanover, and elsewhere. Her work is included in the collections of the Victoria & Albert Museum, Geste Paris, and the Deutsche Börse Art Collection.
Since 2008 she has been part of ISSP team, responsible for numerous educational and curatorial projects. In 2018 she founded ISSP Gallery - an exhibition space dedicated to contemporary photography.
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