The artists nominated by

CAMERA Centro Italiano per la Fotografia
in
2025

CAMERA is a private foundation, an exhibition venue for both Italian and international photography, a centre for image education, staging meetings, ateliers, and workshops. A research centre for the valorization of photographic heritage.

Located in the city centre, a stone’s throw away from the Mole Antonelliana, Museo Egizio, and many other museums and galleries, CAMERA is a unique hub dedicated to photography, capable of strengthening the link between Piedmont and Italy with the worldwide main centers, promoting photography through an open and creative dialogue with artists and institutions.

The goal of promoting photography is addressed to a broad and diversified audience. Through exhibitions and workshops, meetings and talks, CAMERA aims to become a place of meeting and exchange for citizens, with a diverse cultural offer for each target category: photo lovers, amateur photographers, professionals, and scholars.

CAMERA is a platform for study, display, producing, archiving, training, meeting, and debate all around photography: a place rooted in the territory yet with an international outlook.

The five artists selected for FUTURES are Claudia Amatruda (Foggia, 1995), Matteo Buonomo (Milan, 1991), Benedetta Casagrande (Milan, 1993), Alessio Pellicoro (Taranto, 1994) and Martina Zanin (San Daniele del Friuli, 1994). This selection consolidates the nature of this program as an observatory of the medium, developing a broad perspective of its practices today in the Italian context and examining the ways in which the digital and new aesthetics are changing its fruition. It includes refined operations that present both research with a return to its function as a document, as well as experiments that question the medium's ideas of form, truth, and identity. The aim is to show how photography is a medium in perpetual transformation and expansion, which brings together experiences of a documentary nature on social and cultural themes, and others that emphasize formal and conceptual research.

Amatruda reflects on the transformations of his own body due to a rare degenerative disease. Looking at Donna Haraway's theories on the union between cyborgs and humans, she transforms her body into a theatre of reception for external elements, highlighting possible contaminations and metamorphoses through self-portraiture.

Bonomo's work focuses on long-term projects focusing on the social context trying to read the dynamics of loneliness and sharing that run through contemporary society. His photographic stories are enriched by textual and investigative insights.

Casagrande uses the medium of photography to be in relationship with the surrounding environment and its elements. She analyses ecological coexistence with the non-human living world and explores the ways in which we relate to them: intraspecific coexistence and the possibility of constructing new forms of kinship and intimacy between species in a context of unprecedented loss of variety of living organisms.

The elements that characterize Pellicoro's research are the ambiguous relationship with reality, the role of immobility and movement, the post photographic inclination and the testimonial approach. A result that, on the one hand, is due to the subjects filmed; on the other, to the interest in representing unconscious drives or autobiographical issues.

Zanin's research is intertwined with his personal experiences and draws on references from literature and psychoanalysis to interrogate the notions of absence, memory, aggression, repetition, patriarchy, and heritage. She invites the viewer to reflect on the ambiguity of power dynamics, focusing on the fine line between protection and control and turning her attention to vulnerable positions.

List of curators 

Giangavino Pazzola – Curator of contemporary and research programs at CAMERA

Walter Guadagnini – Director at CAMERA

Nominators

Arianna Catania | Director of Gibellina Photoroad / Open Air & Site-specific Festival

Matteo Balduzzi | Curator of MUFOCO – Museum of Contemporary Photography of Milano-Cinisello Balsamo

Marco Delogu | Photographer and President of Azienda Speciale Palaexpo - Rome

Projects nominations
Marisol Mendez
Marisol Mendez uses her camera to study the tension between truth and fiction, the tight relationship between what a photograph creates and the (sur)real it comes from. Driven by research-led and self-initiated projects, she seeks to deconstruct traditional modes of representation and weave nuanced narratives with multiple layers of meaning. At the heart of her artistic pursuit lies the exploration of humankind. Marisol is moved by the desire to build genuine connections with the people on the other side of the lens. Her objective is to encapsulate the intimacy of shared experiences, the tenderness or friction of mutual recognition. Embracing the horizontality of images, she utilizes a diverse array of visual languages to tell stories that traverse the boundaries between individual experience, collective memory, and imagination. Rooted in the landscapes and folklore of her Bolivian culture, Marisol’s work oscillates between candid and staged, naturalistic and mythical.
Paula Artés
Paula Artés (1996) is an artist committed to unveiling and questioning hidden spaces of power—and, by extension, control. Through rigorous prior research, she brings these spaces to light. Her work has been exhibited at Museu Habitat, curated by Manuel J. Borja-Villel; Santa Mònica in Barcelona; Lo Pati in Amposta; the Museu Morera; and the Festival de la Imagen in Colombia. She won the ArtNou Award for Best Exhibition at àngels barcelona gallery. Her work is part of the Mapfre Foundation collection and the Contemporary Art Collection of the Generalitat de Catalunya. She has been selected for PhotoEspaña Descubrimientos, Sala d’Art Jove, VEGAP, OSIC, and Unseen Amsterdam. She has also been nominated for the Gabriele Basilico Prize, the C/O Berlin Talent Award, the MAST Foundation Prize, and the Pla(t)form Prize at FotoMuseum. Additionally, she has participated in residencies at HISK in Belgium and Baladre at Lo Pati.
Cristóbal Ascencio
Cristóbal Ascencio (Guadalajara, 1988) is a photographer and visual artist whose work explores the relationship between images and memory. With studies in Audiovisual Media (CAAV Jalisco) and Contemporary Photography (EFTI Madrid), his practice goes beyondtraditional photography into virtual reality, data manipulation, and photogrammetry. He hasexhibited individually at the Mexican Cultural Institute in Spain (2025), Fundación Marso(2025) and Getxo Photo Festival (2022), and collectively at Foam Amsterdam, AthensPhotography Festival, Casa del Lago UNAM, and Deutsche Börse Photography Foundation. Selected for FOAM Talent 2024-25, he won the First Prize FotoCanal Photography Book ofthe Community of Madrid (2024) and published Las flores mueren dos veces with Editorial Dispara (2025). His work is present in collections such as Art Vontobel and Fundación ENAIRE. His work has been published in FOAM Magazine, Exit, Aesthetica, and the British Journal of Photography
Sergio Pontier
Sergio (b.2003) is an Afrodominican-Spanish artist, photographer and director who graduated on a Audiovisual Communication Photography degree in May 2025. He works on both personal and external creative comissions related to photography and moving image in the fashion and creative industry. His creative journey began at the age of 15 when he picked up one of his old film cameras from his mom. His work spans across fashion, racial narratives, documentary storytelling, and observations. Sergio places profound significance on colorimetry and the essence of the Black individual. His practice strives to redefine new perceptions on blackness and its beauty, particularly delving into the intricacies of Spanish-Black society and diaspora. In 2025, Sergio published Esto es España, a photographic book examining Black presence, identity, and lived experience within contemporary Spanish society. The publication was launched through two highly successful events in Madrid and London, and has received significant media attention, including interviews and international coverage by platforms such as PhotoVogue, EE72, and El País Semanal. The project extends his ongoing exploration of Spanish-Black narratives and the diaspora, positioning the book as both a personal and cultural document.
Newsletter