
The
Artist
Téo Becher
Lives and Works in
Born in 1991, I grew up in Nancy in north-eastern France.
Since 2011, I have been living and working in Brussels. I have a bachelor's degree in photography from ESA Le 75 and a master's degree from the Royal Academy of Fine Arts in Antwerp (Belgium).
My practice focuses on landscape and questions revolving around its use, exploitation and representation. Through my projects, I attempt to reflect on our relationship with what we call nature and to offer a different understanding of it.
In Brussels, in 2020, I co-founded the collective La Nombreuse, composed of eight photographers and an art historian. We opened a multifaceted space, part studio, part exhibition space, conference venue, workshop space, etc.
The monograph Charbon blanc was published in October 2021 by Le Bec en l'air. Since 2017, my work has been exhibited at various festivals and galleries in France and Belgium in particular.
My practice focuses on landscape and questions revolving around its use, exploitation and representation. Through my projects, I attempt to reflect on our relationship with what we call nature and to offer a different understanding of it.
In Brussels, in 2020, I co-founded the collective La Nombreuse, composed of eight photographers and an art historian. We opened a multifaceted space, part studio, part exhibition space, conference venue, workshop space, etc.
The monograph Charbon blanc was published in October 2021 by Le Bec en l'air. Since 2017, my work has been exhibited at various festivals and galleries in France and Belgium in particular.
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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Sarah Stone (U.K., 1994) is a photographer and artist based in Antwerp, Belgium.
She received her master’s degree in photography at the Royal Academy of Fine Arts in Antwerp in 2022, winning the Photography Department prize. Her photographs have been published in .Tiff Magazine, Der Greif and Subbacultcha/Different Class and self-published books such as: 'La Vie De Camille' (2023), ‘ANNA’ (2022) and ‘The End of The Pipeline’ (2021). Her project '76 collages' was published by SO-RI in 2021 and a following series ‘98 collages’ is set to be published in 2025. In 2023 her image 'Whistle' from the project 'ANNA' was selected for ONBOARDSBiennale, an exhibition of art displayed on billboards throughout Antwerp. Her collage 'West Virginia Interior' was published in Karoo magazine in 2024. In 2024 Stone exhibited her work as part of the outside art trail "Out ofOffice" with BREEDBEELD in Gooik, Belgium and in 2023 with the FOMU(Photography Museum Antwerp) as part of .Tiff. Her collages were exhibited withStieglitz19 Gallery in the group show ‘Collage! Collage! Collage!’ with Vincent Delbrouck and Miriam Tolke (2021) as well as a pop-up in (2020). In 2025 she began her own TOT ZINES project, publishing local artists in the zine format.
Stone’s work is created around a strong signature of aesthetic, poetic and colourful images, conveying a powerful message. This is substantiated by her usage of analog photography, creating imagery that presents an open and honest reflection of her surroundings, details, friends or objects that she is drawn to. Shot on 35mm film, they reveal her inner life at a certain time, almost like a distant diary. Stone's series are often founded on human traces, whether that be in personal relationships, or relationships to objects and materiality. Each with its own angle of approach, but based on the beauty of life and it's details.
Her photographs illustrate and inspire people to embrace colour, texture, shape, and to see the world as a theatrical stage, full of props and characters. To capture the atmospheric variety of photographs, Stone uses various analogue cameras and experiments with making collages, using paint in her collages and works on paper.

Florian Gatzweiler (*1998) is a German artist whose work deals with identity, violence and images of masculinity. His projects are characterized by an empathetic examination of personal and social issues, which he often explores in a photographic context. He combines documentary approaches with staged elements to create multi-layered and complex narratives in which he attempts to do justice to the themes and problems of his work. During his studies at the Ostkreuzschule für Fotografie, which he completed in 2024 under the direction of Irina Ruppert, he exhibited several times, including at EMOP Berlin and Paris Photo. His awards include a scholarship from the Socio-Culture Fund and the Paris Photo Young Talent Award.



Martina Zanin (b. 1994, San Daniele del Friuli) is a visual artist based in Milan. Her practice moves seamlessly between photography, writing, collage, leatherwork, installation, sculpture, and artist books.
Zanin is the author of the photobook I Made Them Run Away, published by Skinnerboox, and Older Than Love, a self-published artist book. In 2024 she is a finalist for the Talent Prize Inside Art. She is the winner of Premio Driving Energy 2023 and is among the recipients of Giovane Fotografia Italiana 2021 and Cantica21. Italian Contemporary Art Everywhere, promoted by MAECI and MiC.
Her work has been exhibited in solo and group shows at national and international level, including GNAM - National Museum of Modern Art, Rome (2024), IIC Toronto (2024), Cassina Projects, Milan (2024), Palazzo delle Esposizioni, Rome (2023), Foto Forum, Bozen (2023), Fondazione Pastificio Cerere, Rome (2023), Benaki Museum, Athens (2022), IIC Abu Dhabi (2021), FMAV - Fondazione Modena Arti Visive (2021), galleria studiofaganel, Gorizia (2021), Fotografia Europea (2021), Goethe Institute, Rome (2017).
Her works are part of public collections such as MoMA Library New York, Haas Library Yale University, MEP - Maison Européenne de la Photographie Paris, FMAV - Fondazione Modena Arti Visive, and Fondazione Orestiadi.



Michal Sita (1985) is a photographer and curator. Graduate of photography at the ITF in Opava and anthropology at the Adam Mickiewicz University in Poznań, where he is concluding doctoral research on social uses of the past in contemporary Poland. Interested in social memory and research strategies of photography. Curator of an interdisciplinary analysis of Wiesław Rakowski’s interwar zoological photographs, curator and producer of a series of exhibitions (including Małgorzata Lebda and Rafał Siderski, Mayumi Suzuki, Jan Kurek, Martin Parr and Rimaldas Vikšraitis, Sputnik Photos, among others), and photobook festivals. Co-author of “Củ Chi Tunnels Restoration Report” (Photographic Publication of the Year 2020 – Łódź, PL), a book relating to the activities of the Polish-Vietnamese architectural heritage conservation mission. Author of “History of Poland” vol. 1 and 2 — publications commenting on anthropological research carried out in Murowana Goślina among volunteers staging a large-scale historical pageant. Author of critical texts on photography. Lecturer at the Magdalena Abakanowicz University of Arts in Poznań.



Irena Kalicka is a visual artist and photographer whose work delves into themes of violence, exclusion, and the human body through carefully staged, often grotesque images. Blending dark humor with elements of masquerade, she explores issues of intolerance and the stigmatization of minority groups. Her practice draws inspiration from mythology, literature, and classical art. A graduate of the Łódź Film School, Kalicka has exhibited her work at many of the country’s leading contemporary art institutions and collaborates with the Profile Foundation in Warsaw.



Nayara Leite (b. 1989) is a Brazilian artist and writer based in Bergen, Norway. She holds an MFA from the Bergen Art Academy and an MA in Photojournalism & Documentary Photography from the London College of Communication. Nayara works across text, performance, film, photography and installation. Through autobiographical narrative, political news, archival material and letters to close friends, she produces a portrayal of the reality in which the LGBTQ+ community lives in Brazil and in Norway. She has exhibited and/or held performances at Bergen Kunsthall, Palmera, Lydgalleriet, Isotop, Bergen Kjøtt and KODE 2 in Bergen; Preus Museum in Horten; Studio 17 in Stavanger; Oslo Negativ, Kunstnerforbundet and Kunstnernes Hus in Oslo; and Momentum Biennale in Moss.

Igor Shiller (1996) is a Serbia-born, Amsterdam-based visual artist who graduated with a degree in photography from the Royal Academy of Art, The Hague, in 2021. The following year, he was nominated for the FOAM Paul Huf Award. His work has been showcased at International Film Festival Rotterdam, Unfair Amsterdam and the EYE Film Museum, among others. In 2024, he received the Mangelos Award, honoring him as Serbia’s best young visual artist.Schiller’s artistic practice explores the lasting imprint of childhood, drawing inspiration from memories and his Balkan roots. Through photography, film, and set design, he transforms family archive into uncanny dreamscapes saturated with tenderness and warmth. Embracing play as both method and subject, he turns toys, lullabies, and games into historical artifacts that reveal how tradition and upbringing shape and perpetuate rigid systems. As colors grow richer and characters take form, the line between remembering and reinventing begins to blur. What started as a search for fragments of memory became an unfolding tale of identity and belonging.



Sergio (b.2003) is an Afrodominican-Spanish artist, photographer and director who graduated on a Audiovisual Communication Photography degree in May 2025. He works on both personal and external creative comissions related to photography and moving image in the fashion and creative industry.
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In 2025, Sergio published Esto es España, a photographic book examining Black presence, identity, and lived experience within contemporary Spanish society. The publication was launched through two highly successful events in Madrid and London, and has received significant media attention, including interviews and international coverage by platforms such as PhotoVogue, EE72, and El País Semanal. The project extends his ongoing exploration of Spanish-Black narratives and the diaspora, positioning the book as both a personal and cultural document.



Andong Zheng (1992, China) lives and works in Rotterdam, NL. With a hybrid background in engineering and fine art, Zheng was trained to focus on micro details within rigid causal frameworks, yet he often found himself questioning the macro structures they sustain. His work explores how seeing itself becomes a site of epistemological asymmetry. For him, image-making is less about mapping established knowledge systems than about dismantling and reconfiguring them, a way of engaging with the gaps, ambiguities, and contradictions that lie between these systems and the world. Through this practice, he seeks to open up new ways of knowing that traverse rationality.
Zheng was shortlisted for the Jimei x Arles Discovery Award (2024) and musée du quai Branly - Jacques Chirac Photography Award (2025). His work has also been featured in publications such as The Routledge Companion to Photography, Representation and Social Justice, British Journal of Photography, and Chinese Photography.
Zheng was shortlisted for the Jimei x Arles Discovery Award (2024) and musée du quai Branly - Jacques Chirac Photography Award (2025). His work has also been featured in publications such as The Routledge Companion to Photography, Representation and Social Justice, British Journal of Photography, and Chinese Photography.

Kaarina-Sirkku Kurz (Finnish/ German) is a German-Finnish photographer and visual artist currently based in Berlin. She studied in Bremen, Lahti and Helsinki where she graduated with a Master’s degree from the Department of Photography at Aalto University School of Arts.
Her series Supernature, still in progress, presents in a very conceptual way her concern and fascination for the human body, something that she has already begun to work in her previous award-winning project UNGLEICHGEWICHT. The photobook of the same name won the Nordic Dummy Award in 2015 and was published by Kehrer Verlag. In 2017 the publication was honored with the Finnish Photobook of the Year Award, organized by the Association of Photographic Artists and The Finnish Museum of Photography. Photographer Alec Soth chose the winner.
The coherence of her discourse and career, her way of getting into the subjects she photographs, with a very particular narrative, make Sirkku's work particularly interesting to us. In addition, being in a project which is in progress, we believe that Futures will give her opportunities and opinions to continue or find exhibition opportunities for it.


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Iveta Gabaliņa (1979) is a curator, artist and educator. She has studied photography at the studio of Andrejs Grants, at Bournemouth Art Institute, and in the MA programme at Alto University in Helsinki. Her work has been exhibited in Latvia and internationally, including at C/O (Berlin, Germany), GESTE (Paris), and Williams Tower Gallery (Houston, USA). Gabaliņa has participated in photography festivals in Singapore, Hanover, and elsewhere. Her work is included in the collections of the Victoria & Albert Museum, Geste Paris, and the Deutsche Börse Art Collection.
Since 2008 she has been part of ISSP team, responsible for numerous educational and curatorial projects. In 2018 she founded ISSP Gallery - an exhibition space dedicated to contemporary photography.

I’ve always loved photography, even if it sounds like a cliche. The first photos I took, I did without knowing how to do that, without paying any attention to framing, subject or composition. After a while, I began to understand what is happening in the space between me as a photographer and the subject I was photographing. And many years later, I also understood why I love to photograph. To communicate. A message, a concept, an emotion.
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