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The

Artist

Vanessa Lucrezia Francia

Lives and Works in
Rome
Vanessa Lucrezia Francia is an Italo-Hungarian photographer born in 1994. She currently works as a freelance photographer, collaborating with Luxury brands. Her personal research has a special focus on Familiar and intimate environments, in search of a silent dialogue with her subjects. Her research looks for the understanding of the intergenerational gap and how familiar and personal traumas can be projected. She mixes archive photography with her own personal shots with a strong aesthetic research due to her fashion background. In October 2024 she won the open call and was exhibited at the NARNIIMMAGINARIA International Photography Festival with her project "Home is where your heart beats the fastest" . In 2024/5 she attended CURAE masterclass of PHmuseum with Erik Kessels, during while she developed her last project “MANUAL OF HOW TO BECOME A GOOD GIRL - from 1 to 30 with zero expectations” , shortlisted at Phest Opencall 2025 and Perimetro Awards 2025 by the editors pick and published in Elle Italia.
Projects
2022

UNTIL MY LAST DROP OF BLOOD

“UNTIL MY LAST DROP OF BLOOD” is a series that interrogates the construction of identity through the observation of fragility, desires and resilience of memory. While creating a visual dialogue based on personal and collective histories, I interacted with my family in one space, our Home, and analyzed how generational and personal trauma can reshape or transfer to a single individual and a collectivity, creating a bounce between what is inherited and what is experienced. I mixed archival family photographs, intimate portraits, and newly created images, to build a dialogue between past and present, using photography as a tool and as a non-judgemental confessional. A project born as a provocation after a furious fight, but through the process it has transformed as a playful rediscovery of the parental role of Giovanni and Gabriella narrated from the point of view of a daughter. Thanks to a very rich family archive, I found myself playing between past and present, reinterpreting their stories, their cultural backgrounds and started to look at them as human beings and not just as family. These images bring to light all the unspoken words, silent dreams, needs that have accompanied us as a family and single individuals from our childhoods and that repeatedly peep into our head. Ordinary habits become extraordinary rituals, creating a timeless and ageless playground where roles are almost reversed. They are not necessarily family rules, however they are insurmountable thoughts, sometimes dogmas that mark the life of each of us, becoming projections from generation to generation. This project approaches the complexities of interpersonal relationships with a sweet and sour Irony.
Vanessa Lucrezia Francia
was nominated by
Robert Capa Contemporary Photography Center
in
2026
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

Ákos Levente’s practice repositions analog photography within the 21st-century media environment, examining archives, authentication, AI-generated imagery, and ethical questions of sustainability.

In Emese Tóthová’s work, childhood appears not as a closed past but as a continuously reinterpreted foundation of becoming an adult; using her own living space as a performative site, she explores liminality and presence through the honesty of awkwardness and fragile moments.

Emma Szabó’s intimate and analytical visual language goes beyond mere documentation, capturing the isolation and identity formation of Generations Z and Alpha while articulating universal generational experiences through local contexts.

Anna Kereszty’s research-based, narrative projects unfold at the boundaries of reality and fiction, where observation, memory, and storytelling mechanisms intersect.

Vanessa Lucrezia Francia employs a reflective, sensitive, and playful photographic approach to address questions of identity, female roles, and intergenerational and intercultural relationships, portraying her subjects with dignity, affection, and sharp critical awareness.

Through this selection, Capa Center highlights the original, complex, and internationally relevant voices of contemporary Hungarian photography within the FUTURES platform.

Members of the jury:

Katalin Kopin, curator of the Capa Center

Emese Mucsi, curator of the Capa Center

Zsófia Rechnitzer, artistic director of TORULA, owner of the Rechnitzer Gallery

Dániel Szalai, photographer, visual artist, doctoral student at MOME, FUTURES Talent2020

István Virágvölgyi, artistic director of the Capa Center

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